I share with you today the first poem to be hosted from a poet outside Africa. One of my resolutions last year was to find and review more poetry from the Caribbean and African Diaspora, considering our shared history. And it is worth it: look at the flag counter on the left of the page and you will realize that there is a good number of Caribbean visitors here, with Jamaica (JM) and Trinidad and Tobago (TT) especially ranking in the top. This poem by Trinidadian poet Roger Bonair-Agard (visit his site at http://www.rogerbonair.com and his blog at http://rogerbonair.blogspot.com), which he has given permission to share, is the first of hopefully many more to come. After reading it, you will see why I chose it. I post it here without review. (Copy Credit: here)
In recent days, I have shared it broadly on social media for its beauty and it prompted a rather brilliant response, “How Do We Spell Nigeria” from my Nigerian blogger acquaintance, Ibiene. The initial credit of exposure for this poem should go to South African poet and performance artist Phillippa Yaa de Villiers, who introduced me to it, being so in love with it herself. I will share a separate post on Phillippa soon, because she is coming to Ghana this month to consolidate and make new artistic ties, which events I want you not to miss.
Let me leave you to enjoy a beautiful dish of alphabet soup.
How Do We Spell Freedom?
In 1970 I learned my alphabet for the very first time, I knew it by heart in 1971.
A is for Africa
B is for black
C is for culture
and that’s where its at.My mother taught me that from the way you see alphabetty at a time when
A was for apples in a country that grew mangoes
and X was for xylophone when I was learning how to play the steel bandBlack wasn’t popular or even accepted then but I wore dashikis sent to me from Nigeria.
Super fly suits sky blue with the elbow patches sent to me from America
and sandals made by original Rastafari before weed and revolution needed fertilizer to grow.
My mother rocked bright saffron saris
We was phat 20 years too early and a thousand mile removed
My mother preached knowledge, hard work and how not to take shit.D is for defence
E is for EconomicsI wrote my first protest letter at the age of 3 to my grandfather for calling me out of the yard.
Spelling fuck you with an F-O-R-K U
Put it under his pillow hoping it would blow up and burn his hair off at night
wanted to get started on the revolution thangF is for freedom
G is for guns
we gotta get some
we usually saidEvolved into 1979 and a revolution with a changing face
Bang Bang a boogie to the oogie ya up jump the boogie lets rock ya don’t stop
Black folks and brand names became entwined we reinvented dance and made wheels role… with a limp
Cuba had just told america he was Africa in AngolaK is for kings
L is for Land
we got to get it back
so we lost;
Jamaica to the IMF
Grenada to the marines
and Panama to Nancy ReganJerry-Curls became high top fades became Gumby’s became Cesars as Michael Jackson moonwalked his way into a lighter shade of pale.
My mother sent to America and she said go fix that.
K is for kidnap
S is for slavery
we usually explainedCool became butter became phat
we lost our focus and our way just at about the time that black folk outside the nation discovered the dangers of pork.
So fat backs became fat blacks
pigtails became dreadlocks fades faded to bowlers
and Michael Jordan discovered the magic of a fade-away jumper…and endorsmentsX is for the nigga who’s blind, deaf, and dumb
X him out we usually said.
My mother told me I should rewrite that
that X is for the nigga who needs to be re-educated, that a corporate job does not spell freedom Barry White is not racist flight
A democratic vote is not a revolutionary act
And as long as there is a sweat shop in Jakarta there is no difference between Patrick Yewing and O.J. Simpson.H is for Huey
N is for nocturnal
T is for Tubman
M is for Marcus, Mandella, Marley, and Martin got shot 2 weeks after he told black folk to boycott Coka-A-Cola
and Jessie Jackson still scared of niggas with a purpose.My mother taught me to respect men who stood by their responsibilities and their convictions
Men willing enough to join the fight but smart enough to survive it and see the signals.
God gave no other rainbow signs
said no more water
but the fire next timeJ is for James Baldwin
the next time is now
and someone must learn to read the signs with meA is for Africa
B is for black
C is for culture
…
and that’s where I’m at.
It has the rhythm of a drum. I was not able to follow all of it, but I loved reading it – a slow swinging pace that gets you.
Many thanks for posting such a mesmerizing poem here.
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MJ, you are right. I imagine this set to some mesmerising, slow reggae drumming tune, which is a very very Caribbean thing. Thanks as always.
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My gratitude for introducing me to this poem.
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I had to share with someone and naturally, that was you. :)
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[…] How Do We Spell Freedom? – Roger Bonair-Agard […]
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This touched my heart! Thank you for sharing this :)
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